(1999) The Battle Of Los Angeles

Rage Against The Machine

... read moreRage Against the Machine isn't really the only metal band that matters, but their aggressive social and political activism is refreshing, especially in an age of blind (or usually self-directed) rage due to groups like Limp Bizkit, Bush, or Nine Inch Nails. Recorded in less than a month, The Battle...

Explicit

45′:16″ 12 Songs

1
Rage Against The Machine
Testify
3:30
2
Rage Against The Machine
Guerrilla Radio
3:26
3
Rage Against The Machine
Calm Like A Bomb
4:59
4
Rage Against The Machine
Mic Check
3:34
5
Rage Against The Machine
Sleep Now In The Fire
3:26
6
Rage Against The Machine
Born Of A Broken Man
4:41
7
Rage Against The Machine
Born As Ghosts
3:22
8
Rage Against The Machine
Maria
3:48
9
Rage Against The Machine
Voice Of The Voiceless
2:31
10
Rage Against The Machine
New Millennium Homes
3:45
11
Rage Against The Machine
Ashes In The Fall
4:37
12
Rage Against The Machine
War Within A Breath
3:37
Released 02 November 1999, ℗ 1999 Epic Records, a division of Sony Music Entertainment

Review

Rage Against the Machine isn't really the only metal band that matters, but their aggressive social and political activism is refreshing, especially in an age of blind (or usually self-directed) rage due to groups like Limp Bizkit, Bush, or Nine Inch Nails. Recorded in less than a month, The Battle of Los Angeles is the most focused album of the band's career, exploding from the gate and rarely letting go the whole way through. Like a few other famous revolution-in-the-head bands (most notably Minor Threat), Rage Against the Machine has always been blessed by the fact that the band is spewing just as much vitriol as its frontman. Any potential problems created here by Zack de la Rocha's one-note delivery and extremist polemics are smoothed over by songs and grooves that make it sound like the revolution really is here, from the single "Guerrilla Radio" to album highlights like "Mic Check," "Calm Like a Bomb," and "Born of a Broken Man." As on the previous two Rage Against the Machine albums, Tom Morello's roster of guitar effects and vicious riffs are nigh overpowering, and are as contagious as the band has ever been since their debut. De la Rocha is best when he has specific targets (like the government or the case against Mumia Abu Jamal), but when he attempts to cover more general societal problems, he falters. If anything less than one of the most talented and fiery bands in the music world were backing him, The Battle of Los Angeles wouldn't be nearly as high-rated as it is. ~ John Bush