(2002) Waiting For My Rocket To Come

Jason Mraz

... read moreJason Mraz's Waiting for My Rocket to Come is a two-part invention. The first level is that of a young, almost compelling, singer/songwriter. Mraz has a nice voice, perhaps a little too articulated at times, which manages to mostly avoid the histrionic despite a predilection towards show tuney...

47′:52″ 12 Songs

1
You And I Both
Jason Mraz
3:39
2
I'll Do Anything
Jason Mraz
3:11
3
The Remedy (I Won't Worry)
Jason Mraz
4:16
4
Who Needs Shelter
Jason Mraz
3:11
5
Curbside Prophet
Jason Mraz
3:33
6
Sleep All Day
Jason Mraz
4:56
7
Too Much Food
Jason Mraz
3:41
8
Absolutely Zero
Jason Mraz
5:38
9
On Love, In Sadness
Jason Mraz
3:27
10
No Stopping Us
Jason Mraz
3:18
11
The Boy's Gone
Jason Mraz
4:14
12
Tonight, Not Again
Jason Mraz
4:48
Released 15 October 2002, 2002 Elektra Entertainment for the United States and WEA International Inc. for the world outside of the United States

Review

Jason Mraz's Waiting for My Rocket to Come is a two-part invention. The first level is that of a young, almost compelling, singer/songwriter. Mraz has a nice voice, perhaps a little too articulated at times, which manages to mostly avoid the histrionic despite a predilection towards show tuney melodic turns. His voice tumbles out on top of folk-reggae rhythms that will probably sound a bit dated with time, but his vocals are filled with enough internal rhythms and rhymes to keep them interesting. Lyrically, Mraz relies on cliché to a certain degree, but does so with an earnestness that allows for believability and an eye for imagery that succeeds often enough to suggest that he knows what he's doing. The second level of Waiting for My Rocket to Come is the production of John Alagía, whose work has enhanced other similar folk-pop fair, including the Dave Matthews Band and O.A.R. His work with Mraz is, at its best, transparent, filling out the songs with subtle and glossy production and instrumentation. Reflections of banjos, organs, mellotrons, lap steels, ukuleles, and others peak out through the shine of the tunes, creating an impact too rich to be written off as lite. ~ Jesse Jarnow