(1997) Departure

Gary Burton & Friends

... read moreFor his first album for the Concord jazz imprint, vibraphonist Gary Burton goes back: back to some of the most enduring compositions in the jazz lexicon, constructing the program on Departure completely from jazz standards, except for "Tossed Salads and Scrambled Eggs" (the theme from the television...

01:04′:55″ 10 Songs

1
Gary Burton & Friends
September Song (Instrumental)
5:13
2
Gary Burton & Friends
Poinciana (Instrumental)
8:26
3
Gary Burton & Friends
Depk (Instrumental)
5:02
4
Gary Burton & Friends
Tenderly (Album Version)
5:50
5
Gary Burton & Friends
If I Were A Bell (Instrumental)
6:35
6
Gary Burton & Friends
For All We Know (Album Version)
6:55
7
Gary Burton & Friends
Japanese Waltz (Instrumental)
6:12
8
Gary Burton & Friends
Tossed Salads And Scrambled Eggs (Instrumental)
5:19
9
Gary Burton & Friends
Born To Be Blue (Album Version)
7:06
10
Gary Burton & Friends
Ecaroh (Instrumental)
8:17
Released 01 January 1997, ℗ 1997 Concord Jazz, Inc.

Review

For his first album for the Concord jazz imprint, vibraphonist Gary Burton goes back: back to some of the most enduring compositions in the jazz lexicon, constructing the program on Departure completely from jazz standards, except for "Tossed Salads and Scrambled Eggs" (the theme from the television show Frasier). Along with guitarist John Scofield, drummer Peter Erskine, pianist Fred Hersch, and bassist John Patitucci, Burton also returns here to the quicksilver, porcelain sound of the George Shearing quintet, Burton's first job after graduating from the Berklee College of Music. For the uninitiated, Departure is a worthwhile introduction to Burton's style on vibes, with his strong sense of swing swaddled in a sound that's most often elegant yet sometimes surprisingly funky. Scofield really shines here, too. Departure is also a great way to discover less-known compositions by some of the best-known composers and performers in the history of jazz, including Duke Ellington ("Depk," from his "Far East Suite"), Chick Corea ("Japanese Waltz"), and Horace Silver ("Ecaroh," which is "Horace" spelled backwards), as well as Mel Tormé ("Born to Be Blue"), and "If I Were a Bell," a staple that rang throughout in the 1950s repertoire of Miles Davis and whose title chimes harmoniously with the sonorities of Burton's vibes. ~ Chris Slawecki